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AFI's latest crazy list of 'Greatest Films' (ahem) slaps 'Patton' & Bette Davis

June 21, 2007 |  1:33 am

AllabouteveThe American Film Institute's list of 100 Greatest Films of All Time is now even more ridiculous than before. Why did they bother re-doing it? They kicked off "Doctor Zhivago," "The Third Man," "The Manchurian Candidate," "Amadeus" and "Fantasia" so they could add "The Sixth Sense"? That makes NO SENSE! And "Rocky" gets to stay? They slapped a far better Oscar best pic champ all about a soldier being slapped ("Patton," formerly ranked #89, now AWOL) and they even let "All About Eve" have it, knocking it down from #16 to #28! They wouldn't dare do that if Bette Davis were still alive!

The old list had a few other priorities right, too. "Psycho" is surely Alfred Hitchcock's best film, not "Vertigo," which just zoomed waaaaay up, up, up from #61 to where you'd think it'd get dizzy at #9. Now that Marty Scorsese has won an Oscar and is formally embraced by Hollyweird, his most overrated of pix, "Raging Bull," vaulted to #4 from #24 ("Taxi Driver," which slipped to #52 from #47, is better).

Well, at least they added "Cabaret" and "Who's Afraid of Virginia Woolf?"! And "The Godfather" moved up, deservedly, a notch to #2 above "Casablanca."

CLICK HERE to See the NEW List and the OLD List!

(Photo: 20th Century Fox)

NEW LIST

1 CITIZEN KANE (Welles, 1941)
2 THE GODFATHER (Coppola, 1972)
3 CASABLANCA (Curtiz, 1942)
4 RAGING BULL (Scorsese, 1980)
5 SINGIN' IN THE RAIN (Donen & Kelly, 1952)
6 GONE WITH THE WIND (Fleming, 1939)
7 LAWRENCE OF ARABIA (Lean, 1962)
8 SCHINDLER'S LIST (Spielberg, 19930
9 VERTIGO (Hitchcock, 1958)
10 THE WIZARD OF OZ (Fleming, 1939)
11 CITY LIGHTS (Chaplin, 1931)
12 THE SEARCHERS (Ford, 1956)
13 STAR WARS (Lucas, 1977)
14 PSYCHO (Hitchcock, 1960)
15 2001: A SPACE ODYSSEY (Kubrick, 1968)
16 SUNSET BLVD. (Wilder, 1950)
17 THE GRADUATE (Nichols, 1967)
18 THE GENERAL (Keaton & Bruckman, 1927)
19 ON THE WATERFRONT (Kazan, 1954)
20 IT'S A WONDERFUL LIFE (Capra, 1946)
21 CHINATOWN (Polanski, 1974)
22 SOME LIKE IT HOT (Wilder, 1959)
23 THE GRAPES OF WRATH (Ford, 1940)
24 E.T. THE EXTRA-TERRESTRIAL (Spielberg, 1982)
25 TO KILL A MOCKINGBIRD (Mulligan, 1962)
26 MR. SMITH GOES TO WASHINGTON (Capra, 1939)
27 HIGH NOON (Zinnemann, 1952)
28 ALL ABOUT EVE (Mankiewicz, 1950)
29 DOUBLE INDEMNITY (Wilder, 1944)
30 APOCALYPSE NOW (Coppola, 1979)
31 THE MALTESE FALCON (Huston, 1941)
32 THE GODFATHER: PART II (Coppola, 1974)
33 ONE FLEW OVER THE CUCKOO'S NEST (Forman, 1975)
34 SNOW WHITE AND THE SEVEN DWARFS (various, 1937)
35 ANNIE HALL (Allen, 1977)
36 THE BRIDGE ON THE RIVER KWAI (Lean, 1957)
37 THE BEST YEARS OF OUR LIVES (Wyler, 1946)
38 THE TREASURE OF THE SIERRA MADRE (Huston, 1948)
39 DR. STRANGELOVE OR: HOW I LEARNED TO STOP WORRYING AND LOVE THE BOMB (Kubrick, 1964)
40 THE SOUND OF MUSIC (Wise, 1965)
41 KING KONG (Cooper & Schoedsack, 1933)
42 BONNIE AND CLYDE (Penn, 1967)
43 MIDNIGHT COWBOY (Schlesinger, 1969)
44 THE PHILADELPHIA STORY (Cukor, 1940)
45 SHANE (Stevens, 1953)
46 IT HAPPENED ONE NIGHT (Capra, 1934)
47 A STREETCAR NAMED DESIRE (Kazan, 1951)
48 REAR WINDOW (Hitchcock, 1954)
49 INTOLERANCE (Griffith, 1916)
50 THE LORD OF THE RINGS: THE FELLOWSHIP OF THE RING (Jackson, 2001)
51 WEST SIDE STORY (Robbins & Wise, 1961)
52 TAXI DRIVER (Scorsese, 1976)
53 THE DEER HUNTER (Cimino, 1978)
54 MASH (Altman, 1970)
55 NORTH BY NORTHWEST (Hitchcock, 1959)
56 JAWS (Spielberg, 1975)
57 ROCKY (Avildsen, 1976)
58 THE GOLD RUSH (Chaplin, 1925)
59 NASHVILLE (Altman, 1975)
60 DUCK SOUP (McCarey, 1933)
61 SULLIVAN'S TRAVELS (Sturges, 1941)
62 AMERICAN GRAFFITI (Lucas, 1973)
63 CABARET (Fosse, 1972)
64 NETWORK (Lumet, 1976)
65 THE AFRICAN QUEEN (Huston, 1951)
66 RAIDERS OF THE LOST ARK (Spielberg, 1981)
67 WHO'S AFRAID OF VIRGINIA WOOLF? (Nichols, 1966)
68 UNFORGIVEN (Eastwood, 1992)
69 TOOTSIE (Pollack, 1982)
70 A CLOCKWORK ORANGE (Kubrick, 1971)
71 SAVING PRIVATE RYAN (Spielberg, 1997)
72 THE SHAWSHANK REDEMPTION (Darabont, 1994)
73 BUTCH CASSIDY AND THE SUNDANCE KID (Hill, 1969)
74 THE SILENCE OF THE LAMBS (Demme, 1991)
75 IN THE HEAT OF THE NIGHT (Jewison, 1967)
76 FORREST GUMP (Zemeckis, 1994)
77 ALL THE PRESIDENT'S MEN (Pakula, 1977)
78 MODERN TIMES (Chaplin, 1936)
79 THE WILD BUNCH (Peckinpah, 1969)
80 THE APARTMENT (Wilder, 1960)
81 SPARTACUS (Kubrick, 1960)
82 SUNRISE: A SONG OF TWO HUMANS (Murnau, 1927)
83 TITANIC (Cameron, 1997)
84 EASY RIDER (Hopper, 1969)
85 A NIGHT AT THE OPERA (Wood, 1935)
86 PLATOON (Stone, 1986)
87 12 ANGRY MEN (Lumet, 1957)
88 BRINGING UP BABY (Hawks, 1938)
89 THE SIXTH SENSE (Shyamalan, 1999)
90 SWING TIME (Stevens, 1936)
91 SOPHIE'S CHOICE (Pakula, 1982)
92 GOODFELLAS (Scorsese, 1990)
93 THE FRENCH CONNECTION (Friedkin, 1971)
94 PULP FICTION (Tarantino, 1994)
95 THE LAST PICTURE SHOW (Bogdanovich, 1971)
96 DO THE RIGHT THING (Lee, 1989)
97 BLADE RUNNER (Scott, 1982)
98 YANKEE DOODLE DANDY (Curtiz, 1942)
99 TOY STORY (Lasseter, 1995)
100 BEN-HUR (Wyler, 1959)

OLD LIST

1. CITIZEN KANE (1941)

2. CASABLANCA (1942)

3. THE GODFATHER (1972)

4. GONE WITH THE WIND (1939)

5. LAWRENCE OF ARABIA (1962)

6. THE WIZARD OF OZ (1939)

7. THE GRADUATE (1967)

8. ON THE WATERFRONT (1954)

9. SCHINDLER'S LIST (1993)

10. SINGIN' IN THE RAIN (1952)

11. IT'S A WONDERFUL LIFE (1946)

12. SUNSET BOULEVARD (1950)

13. THE BRIDGE ON THE RIVER KWAI (1957)

14. SOME LIKE IT HOT (1959)

15. STAR WARS (1977)

16. ALL ABOUT EVE (1950)

17. THE AFRICAN QUEEN (1951)

18. PSYCHO (1960)

19. CHINATOWN (1974)

20. ONE FLEW OVER THE CUCKOO'S NEST (1975)

21. THE GRAPES OF WRATH (1940)

22. 2001: A SPACE ODYSSEY (1968)

23. THE MALTESE FALCON (1941)

24. RAGING BULL (1980)

25. E.T. THE EXTRA-TERRESTRIAL (1982)

26. DR. STRANGELOVE (1964)

27. BONNIE AND CLYDE (1967)

28. APOCALYPSE NOW (1979)

29. MR. SMITH GOES TO WASHINGTON (1939)

30. THE TREASURE OF THE SIERRA MADRE (1948)

31. ANNIE HALL (1977)

32. THE GODFATHER PART II (1974)

33. HIGH NOON (1952)

34. TO KILL A MOCKINGBIRD (1962)

35. IT HAPPENED ONE NIGHT (1934)

36. MIDNIGHT COWBOY (1969)

37. THE BEST YEARS OF OUR LIVES (1946)

38. DOUBLE INDEMNITY (1944)

39. DOCTOR ZHIVAGO (1965)

40. NORTH BY NORTHWEST (1959)

41. WEST SIDE STORY (1961)

42. REAR WINDOW (1954)

43. KING KONG (1933)

44. THE BIRTH OF A NATION (1915)

45. A STREETCAR NAMED DESIRE (1951)

46. A CLOCKWORK ORANGE (1971)

47. TAXI DRIVER (1976)

48. JAWS (1975)

49. SNOW WHITE AND THE SEVEN DWARFS (1937)

50. BUTCH CASSIDY AND THE SUNDANCE KID (1969)

51. THE PHILADELPHIA STORY (1940)

52. FROM HERE TO ETERNITY (1953)

53. AMADEUS (1984)

54. ALL QUIET ON THE WESTERN FRONT (1930)

55. THE SOUND OF MUSIC (1965)

56. M*A*S*H (1970)

57. THE THIRD MAN (1949)

58. FANTASIA (1940)

59. REBEL WITHOUT A CAUSE (1955)

60. RAIDERS OF THE LOST ARK (1981)

61. VERTIGO (1958)

62. TOOTSIE (1982)

63. STAGECOACH (1939)

64. CLOSE ENCOUNTERS OF THE THIRD KIND (1977)

65. THE SILENCE OF THE LAMBS (1991)

66. NETWORK (1976)

67. THE MANCHURIAN CANDIDATE (1962)

68. AN AMERICAN IN PARIS (1951)

69. SHANE (1953)

70. THE FRENCH CONNECTION (1971)

71. FORREST GUMP (1994)

72. BEN-HUR (1959)

73. WUTHERING HEIGHTS (1939)

74. THE GOLD RUSH (1925)

75. DANCES WITH WOLVES (1990)

76. CITY LIGHTS (1931)

77. AMERICAN GRAFFITI (1973)

78. ROCKY (1976)

79. THE DEER HUNTER (1978)

80. THE WILD BUNCH (1969)

81. MODERN TIMES (1936)

82. GIANT (1956)

83. PLATOON (1986)

84. FARGO (1996)

85. DUCK SOUP (1933)

86. MUTINY ON THE BOUNTY (1935)

87. FRANKENSTEIN (1931)

88. EASY RIDER (1969)

89. PATTON (1970)

90. THE JAZZ SINGER (1927)

91. MY FAIR LADY (1964)

92. A PLACE IN THE SUN (1951)

93. THE APARTMENT (1960)

94. GOODFELLAS (1990)

95. PULP FICTION (1994)

96. THE SEARCHERS (1956)

97. BRINGING UP BABY (1938)

98. UNFORGIVEN (1992)

99. GUESS WHO'S COMING TO DINNER (1967)

100. YANKEE DOODLE DANDY (1942)


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Comments

1) A Celebration of Violence
It was said during the TV broadcast of the Top-100 that “films reflect and define who we are”. Many of the films on the list are indeed excellent but it’s interesting to notice that a very impressive and high number of these Top-100 movies deal with violence, war, mafia, murder, gangsters, etc... Furthermore, many of the film excerpts during the CBS broadcast showed countless gunshots, stabbings, explosions and murders; it was pretty gruesome at times, …yet, all of this has become so “normal”. The fact that so many of these movies are considered “America’s Best” is what’s really revealing and startling. Sadly, these films perhaps reflect the American reality and the top-100 list does assert an obsession & fascination for violence in American culture. Movies and television are America’s mirror to itself and its window to the world. Should we thus be surprised that the rest of the world perceives the USA as violent?

2) Regarding Fargo, well it might be a good movie for some (let’s acknowledge that it was written and shot with originality), but for others it’s just another very gory, gruesome and violent movie. I can't appreciate Pulp Fiction nor any other Tarantino movie for the same reason: facile glorification of gratuitous violence and gore.

3) Brokeback Mountain’s Absence: Surprising!
It's really surprising that Ang Lee's unforgettable masterpiece Brokeback Mountain which has had such an impact around the world and has been the “most talked about” as well as the “most acclaimed & decorated” movie of the last decade didn't make the cut. The reason is that it’s probably still too recent; the movie came out just a little more than one year prior to the vote. BBM instantly became a "cultural phenomenon" worldwide and already stands as a milestone in the history of cinema. A book entitled “Brokeback Mountain – The Impact of a Film” has recently been published, the quote “I wish I knew how to quit you” is the most frequently used since Titanic’s “I’m the King of the world”, the term "Brokeback" is now common terminology and, "Ennis & Jack" are now part of the American literary and cinematic culture. There are still references to this remarkable film in newspapers, on television, on the Internet and in various columns around the world on a daily basis. Brokeback Mountain has attained instant "cult status" and its impact has crossed borders – in short, it was a true "landmark film". BBM will surely stand the test of time and should definitely be included in the Top-100 list next time...should end up in the Top-20 hands down.

Little Miss Sunshine is one of the worst films of all-time and the worst film ever nominated for Best Picture....Hell, The Greatest Show on Earth is far better than LMS...even Crash is better than LMS...and that's not a good thing either....

Little Miss Sunshine was not eligible...

Yeah, right -just because you don't like "Little..." it is the worst movie ever? "Little..." was the best nominated film this year. But I agree that the victory of CRASH was simple misunderstanding.

Anyone who thinks Little Miss Sunshine is a damn good movie really reflects poor judgment and taste in films or basically just love Jon-Bonet freak pageants and kiddie porn or probably find Happy Gilmore is really a masterpiece in cinematic arts...I guess that would include the Academy of Motion Picture Arts & Sciences....After Crash winning Best Picture...things just went downhill..sigh!....

I'm stunned with the recent revision of the AFI list. I cannot believe "The Sixth Sense" made the list! It was not in the least bit suspenseful. I knew he was talking to dead people in the first few minutes of the film....boring.
I'm also confused why Cabaret was put on the list and so high. It is a moderately good movie for the times it was made, but should not be added to see "Guess Who's Coming to Dinner" and "Doctor Zhivago" dropped.
By the way, I loved "Little Miss Sunshine". Maybe it shouldn't be on the top 100 list, but it was a damn good movie!

Well I would have to say Titanic is better than Fargo....Titanic was a grand spectacle of a movie with a treacly love story to carry it and makes it all the more entertaining...but the sinking of the damn ship was the thrill of it all...Fargo on the other hand...a small dark comedy...is well written but wasn't nearly entertaining...I left the theater after watching it the first time with a shrug...is that's all there is?...the Minnesota accent got very annoying after a while...Plus Fargo really had no business being in the top 100 list in the first place...say amongst a list of 500 greatest films, I would rank it at around 300ish or 400ish...Titanic would actually be amongst the same as well...Please AFI no more Spielberg lovefest on these top 100 lists. Schindler's List and Saving Private Ryan are the only two worthy Spielberg works...the other films are all special effects and no substance...

Does someone want to explain to me how TITANIC is better than FARGO?

Compare Vertigo to some other outstanding cinematic works and Vertigo would just look too weak...I would've placed Vertigo at around the 50 or 60 range, not at #9...Raging Bull is considered Scorsese's masterpiece. But amongst other deserving works, it should have been placed in the 20-30ish range....And please AFI enough with the Spielberg lovefest already!

I'm surprised by all this animosity toward Vertigo. It's generally regarded as Hitchcock's best film and is probably one of the few movies that actually improves with subsequent viewings. Sorry, Tom, but Psycho lacks the sheer complexity that makes Vertigo such an obsessive masterpiece.

I wrote my thoughts on the website that's posted with my name, so check it out on there.

I was also against redoing the list but I think they made soem great choices and they didn't even redo the list.
I basically thought Titanic was a good choice

"Psycho" is surely Alfred Hitchcock's best film, not "Vertigo"... Actually no. Vertigo is better.

Oh! I didn't notice that "North by Northwest" is still on the list -I don't know why. But I'm pleased. :P

The AFI really is ridiculous. Just to start, "Vertigo" is WAAAAY to high, along with "Apocalyspe Now" (which is really just unintelligable garbage--it doesn't even belong on the list) and "The General" (WHAT????). "Fargo", "Memento", "Beauty and the Beast", the last two "Lord of the Rings" movies (why in God's name would they choose only one? And the WORST one in the series) not only should've been on the list, but I would've put them in the top 50. And two Marx Brothers movies? They've got to be the most irritating "comedians" ever to appear on screen. Glad as I am that "City Lights" made it to #11 (Charlie Chaplin is the greatest silent flimmaker in history), it's not his best, and "The Gold Rush" deserves to be in the top ten. So does "Annie Hall" (speaking of which - ONE Woody Allen movie?). This is going to make me unpopular on this forum, but I think "Forrest Gump" actually should be higher.

But none of this is nearly as bad as the biggest flaw of the list: Why the #%@$ is "Citizen Kane" #1? What is so great about it? I have seen it two or three times now (hours I will never get back...), and I simply can't find an explination for why everyone praises it so much. Kane is a good character, but his cold and hard; we can never sympathize or empathize or even try to like him (while countless other movies, from "The Godfather" to "Casablanca", have unlikable characters but at least open them up for us and allow them to see their good side, and what makes them unlikeable, and allows them to change). "Kane" has one (1) good preformance, the rest are totally average, while "Godfather" and "Casablanca" have such wide ensambles that almost every single actor and actress in them deserves an Oscar. It's plot device (different people's points of views; out-of-order chronology that fits together like a puzzle) is creative, but hardly enough to make a movie #1. Which leaves what? The cinemetography? Yeah, it was influential and yeah, it's striking and creative, but are influence and quality the same thing? Are "influential" and "great" synonyms? If "Basic Instinct 2" had been the first movie to use all those stylish camera tricks, would we call it great? And besides, if a movie is the best ever made, shouldn't it at least be entertaining? I was entranced by "The Godfather" and enchanted by "Casablanca". "Citizen Kane", on the other hand...well, I was mildly interested in the plot, but c'mon...I was mildly interested in the plot when my little sister made me take her to "Nancy Drew".

And I agree with Frankie R. -where is BROKEBACK MOUNTAIN? Isn't it far more deserving than "Forrest Gump", "Rocky", "The Sixth Sense" (to name only a few)????

"Toy Story" is THE FIRST full-length 3D animation feature, so I think it SHOULD BE on this list. "Doktor Zhivago" is not a masterpiece at all -so I'm not shocked that it's not here. Truly shocking is to put "Forrest Gump" and "Rocky" (and some new features -like "Shawshank Redemption", "The Sixth Sense", "Saving Private Ryan" -good films, but great???) over "Amadeus", "Rebel Without A Cause", "North by Northwest", "The Third Man", "Stagecoach" etc. "Titanic" and "The Fellowship of the Ring"? Well -I love these movies -and I think it was obvious choice (you have to admit it -even if you don't like them). I'm glad to see that "Dances with Wolves" and "Close Encounters of the Third Kind" were omitted -and I am happy that "The Bridge on the River Kwai" is lower than 10 years ago. But I cannot understand why "Raging Bull" is now so high. It should be 40-50 positions lower.

(Sigh!) Once again AFI's list was a Steven Spielberg lovefest...seriously Jaws is a good movie but time hasn't been good to the shark...after several viewings you can tell the shark is mechanical...just sooo cheesey looking really. And Raiders of the Lost Ark is fun cinema but not Spielberg's greatest achievements. E.T. still has some appeal but there are far more enchanting and better family films than this--like Beauty & the Beast? Also this event turned out to be a Harrison Ford lovefest as well...all that was missing was Witness and About Henry...come on AFI! Blade Runner? it's good but not great...and American Graffiti...great soundtrack but not a great pic really...Also the list was a little heavy on Vietnam theme pictures...two on the list would have been suffice and quite a number of films from the 90s...Unforgiven is a good western but certainly not a great or memorable western like The Searchers, Shane or Red River. And if you want to include great horror/suspense films...come on! The Sixth Sense? Where's The Exorcist? or Halloween? or Rosemary's Baby? Also musicals are an important part of cinema but the gooey, lovable Sound of Music no longer belongs on the list...would have been nice to see either Chicago, Easter Parade or An American in Paris instead...And sadly of the most current films, it was criminal not to include Brokeback Mountain or The Departed....And what's up with Vertigo at #9...It's not really Hitchcock's best....well there were a lot of derserving films that were overlooked....Annie Hall is still on the list..why?...it's such a dated romance comedy. This list and future lists should be re-named something like the Next 100 Greatest Films of All-Time. Well at least Little Miss Sunshine wasn't included...Thank God!

so...Amadeus < Titanic and The Sixth Sense and Toy Story. That it downright stupid. At least Pulp Fiction moved up ONE spot. yay.

What I find so crazy with these list is that they well must be the same folks who vote for the Oscars..Where is anything with Louise Beavers? Where is Malcom X, Stormy Weather or Porgy and Bess. Do the Right Thing? Yikes. It was alright but the real talent of Spike is shown in films Malcom X and Inside Man.

The Sixth Sense is on the list , I see dead people. The Lady in the Lake at least you can watch again while it may not be Casablanca, that movie reminded me of the Legend of Hell House.
Greatest Film lists should me more like the Cina Scope Magazine reflecting all of America ( or Canada)

And if you are going to have a list why oh why is anything with DW Griffith still on it. I mean is their a DVD around for that print. Can I rent it? Lastly why do they just put the directors name next to the film. As if the director was the sole creator or somehow made the actors, screen-writers, editors etc work any harder at creating a great film. Maybe like those retired singer concerts next year we will have a better list.

These lists are always silly of course. There are too many recent films. Really, "Toy Story" and "The Fellowship of the Ring" are among the 100 Greatest American films EVER made????

I was glad to see some omissions from the first list were rectified. "Nashville". "The General". "Intolerance" (over "Birth of a Nation"). "Blade Runner".

Sad to see some deserving films disappear -- "Fargo".

Glad to see others go -- "Dances with Wolves", "Guess Who's Coming to Dinner", "My Fair Lady" (fun, but not great), "The Jazz Singer" (significant, but not great), the bloated, empty "Doctor Zhivago"

Interesting how much some films rose ("The Searchers", from 96 to 12), fell ("The African Queen" (from 65 to 17), "Bridge on the River Kwai" (from 13 to 36).

Some films simply should not be on the list -- the atrociously sentimental "Forrest Gump" and "To Kill a Mockingbird". The pleasant, popular, but unimportant "Butch Cassidy and the Sundance Kid". The shrill and unsubtle "Network".

Major omissions: Altman's masterpiece, "McCabe and Mrs. Miller". Something by David Lynch -- probably "Blue Velvet" (like him or not, he is a true original). Something from Hitchcock's 40s films -- "Notorious"? The prescient "Sweet Smell of Success". And what about some odder, edgier choices -- "What Ever Happened to Baby Jane?", "They Drive by Night", the perfect film noir soap opera "Mildred Pierce".



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