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Happy Oscars news for Harvey: Grace is gone, but Clint is here!

August 8, 2007 | 12:59 am

GraceisgoneHere comes Clint Eastwood crashing into the Oscar derby at the tail end of the year again! (Remember "Million Dollar Baby" and "Letters from Iwo Jima"?)

This time he's joining someone else's nearly finished production: Harvey Weinstein. After viewing a screening of "Grace Is Gone," Clint offered to compose a new musical score, which he's still busy doing now. The new score won't be laid down until close to the movie's debut at the New York Film Festival in September and in theaters in early October. Meantime, screening audiences are still hearing the old score by relative rookie Max Richter.

Earlier this year Harvey paid $4 million for "Grace" at Sundance, where it won the Audience Award and scriptwriter's prize after reducing viewers to puddles of tears. It features John Cusack as a dad who takes his daughters on a road trip while avoiding telling them that their soldier mom has died in Iraq.

"The story's emotional effectiveness and family grounding give the film a real shot at connecting with general audiences across the political spectrum," said Variety in its review.

If "Grace" connects with academy members, too, it could be The Big Oscar Contender that Harvey's been aiming for since splitting with Miramax. "Bobby" and "Factory Girl" showed promise last year, but fell short. The best he's done on his own so far was Felicity Huffman's best-actress bid for "Transamerica" two derbies ago. A notable achievement, but the Happy Oscar Warrior is eager to be back in the fight.

(Photo: Weinstein Co.)

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Comments

This is a dirty story about an egoist with a huge career edging out someone smaller and with less power than them. Newsflash: Clint Eastwood is an okay musician but he is NOT a composer. There are hundreds of composers this town perfectly capable of a decent 'rescore' and this they go with? I wonder how the director feels about this? Or the original producers? Composers in Hollywood need a union otherwise they'll keep getting crapped on by anyone with big name, a computer and an assistant who can orchestrate.

The Hollywood Reporter thoroughly trashed the entire film not just Richter's score. I saw this movie at Sundance and while I would agree that the film is sentimental and sappy, Richter's music was the one thing keeping it this side of nauseating (it was a night-time, indy, guitar kind of vibe). But the film got sooo many bad reviews, what else are the Weinsteins gonna do ... replace Cusack ... I don't think so. Richter's a scapegoat. Eastwood will appeal to Middle America ... it's economics, pure and simple. So it goes ....

WILL CLING EASTWOOD JUST GET LOST!! CHRIST, ENOUGH ALREADY!

The review from the Hollywood Reporter described the original GIG score by Max Richter as 'sappy' & 'button-pushing' music. Ouch. Given the emotive nature of the material it sounds as though they're looking for something more delicate & gentle, a subtle score rather than an overbearing one. No wonder Eastwood came to mind.


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