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Cruel Oscars: 'The Savages' = the new 'Sideways'?

August 5, 2007 | 10:27 pm

SavagesEvery year the Oscar screenplay categories include a few small artsy flicks with big stars spouting sassy dialogue — like "The Squid and the Whale" and "The Royal Tenenbaums." "The Savages" is a good bet to make the lineup this year, featuring Oscar champ Philip Seymour Hoffman and Oscar-overdue Laura Linney as bickering brother and sister who reunite reluctantly in order to put their nasty ole poppa in a rest home.

But here's what we don't know about it yet, Oscar-wise: Is it also like those little artsy pix in past screenplay races like "You Can Count on Me" (which starred Linney) or "Sideways" (written by Jim Taylor, husband of "The Savages" writer/director Tamara Jenkins)? If so, that means it may end up in the best-picture and acting races, too.

"The film is definitely strong enough for Fox Searchlight to position it for awards attention for the entire cast and Jenkins' script," noted Edward Douglas of Comingsoon.net after viewing it at Sundance. (CLICK HERE to read Ed's full review.) It's one of only six reviews at Rottentomatoes.com, but they're all raves, so that gives "Savages" an Oscar-friendly 100% score, which is what "Capote" (starring Seymour, of course) had during its early days.

There's one potential problem with "Savages." (CLICK HERE to Continue Reading!)

CLICK HERE TO VIEW TRAILER

With a release date of Dec. 26, it may be coming out too late. That end-of-year launch pad used to be fine under the old Oscar calendar, back before the ceremony moved up from March to February and, with it, all of the guild awards. Many guild members are too lazy to attend advance screenings, which are often held too seldom in outlying cities like San Francisco where there are gabillions of voters. (Remember, most DGA members, for example, actually work in the TV biz.) They'll see a movie once they know that they have to, once sufficient buzz builds up for these smaller pix, but that may be too late. That's how "Cold Mountain" famously got snubbed. DGA members missed advance screenings of the Christmas release and, once it was ignored by them, it was doomed. Next it failed to be nommed for best pic at the Oscars, a shame really, because that pic was a gem. Unfortunately, it's remembered quite differently today and I think I know why.

Lastly, film critics won't admit it, but many of them don't catch up with pix till they have to, too, especially the smaller art-house fare. Many members of film-critics' groups that bestow awards work for publications like Us Weekly, which only bother to cover Adam Sandler and Julia Roberts pix, usually in 45-word snippets. Those critics don't admit that they skip seeing the smaller pix, but they do. They'll catch up with them later once buzz builds, but they're not fully aware in early December when award voting occurs.

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I agree wholeheartedly. An early fall platform in September was a much better idea. Now it's going to get lost in the shuffle. Most cities won't even see it until early February, which makes for a ridiculous 12 month span between its' Sundance debut and its wide release. As good as I hear it is, I almost hope it gets punished. I'm really pulling for Philip Bosco though for Best Supporting Actor. Sight unseen, mind you, but hes one of my favorite actors and he's really not in nearly enough.

Also, COLD MOUNTAIN got snubbed because it wasn't a very good movie. Seriously, look at the 5 nominees for 2003 and tell me it's better than any of them. If anything was snubbed that year, it was BIG FISH.

Remember Tom: Screenplay = Consolation Prize for the hip indie dramedy

Sideways, Eternal Sunshine, Little Miss Sunshine, Lost in Translation


This will definitely factor in as a Best Picture top 10 contender, pencil it in for the Globe. But in the end, that will sum up to a Screenplay win



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