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POLL — VOTE: Who got the least Oscar votes?

December 23, 2007 |  5:55 am

"There are sometimes Oscar nominees who are there primarily as 'fillers,'" notes my Oscarologist pal Tariq Khan. "They provide a fifth name to the list in what was likely a weak year (or at least weak for that category), but have absolutely zero chance of winning. Sometimes, their chances are so non-existent that you have to wonder if they'll receive ANY votes from academy members."

Below is his list of nominees Tariq believes received the least votes since 1990. "I seriously doubt received more than a hundred votes from the more than 5,000 Academy members," he says.

Disagree? Read his rundown below and then give us your vote! Text below is from Tariq.

Streep

1. Meryl Streep in "Postcards from the Edge," Best Actress nominee of 1990 — This is a CLASSIC case of the Oscar filler, all too common in the best actress and best supporting actress categories. This was Streep's first time being nominated for a comedy (she later earned nods for "Adaptation" and "The Devil Wears Prada"), and she was surprisingly funny opposite her on-screen mother Shirley MacLaine. But having already won two Oscars for far more serious roles in "Kramer vs. Kramer" and "Sophie's Choice," and in a category which featured the genuinely exciting three-way race between Kathy Bates in "Misery," Anjelica Huston in "The Grifters" and Joanne Woodward in "Mr. and Mrs. Bridge," why would anyone bother voting for Streep here??? Even Julia Roberts, the fifth nominee in the category (for "Pretty Woman") could count on more votes than Meryl. (As you said, Tom O — she did play a HOOKER.) In its first annual Oscar odds edition, Entertainment Weekly said Streep's two biggest pluses were: 1. "No accent this year," and 2. "Voters might be in the mood for a MAJOR upset."

2. Michelle Pfeiffer in "Love Field," Best Actress nominee of 1992 — This was the year of Emma Thompson in "Howard's End," who won every critics prize leading up to the Oscars. If some voters wanted to honor a hometown girl, they likely checked their ballots for Susan Sarandon in "Lorenzo's Oil" or even Mary McDonnell in "Passion Fish." Film critic Gene Siskel called Pfeiffer's nod the worst nomination of the year, explaining that her southern accent in the film was much too broad. If Pfeiffer received ANY votes that year, it was likely due to her scene-stealing turn as the Catwoman in "Batman Returns." (Couldn't they have nominated her for that film instead?)

3. Queen Latifah in "Chicago," Best Supporting Actress nominee of 2002 — She was competing against co-star Catherine Zeta-Jones, who pretty much stole the entire film. And in a category that also featured heavyweights like Kathy Bates ("About Schmidt"), Julianne Moore ("The Hours") and Meryl Streep ("Adaptation"), the Queen had simply no chance of being crowned by Oscar. Of course, her "Bringing Down the House" with Steve Martin opened during the peak of voting, so maybe that earned her a couple of votes?

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4. Samantha Morton in "In America," Best Actress nominee of 2003 — I myself was shocked by the nomination. (Wasn't it more of a supporting role?) And with Charlize Theron ("Monster") and Diane Keaton ("Something's Gotta Give") grabbing all the attention, Morton's name might as well have been left off the Oscar ballot.

5. Dustin Hoffman in "Wag the Dog," Best Actor nominee of 1997 — He stole the slot that would have otherwise gone to Leonardo DiCaprio for "Titanic." Hoffman was overshadowed not only by the vets in the category (Robert Duvall in "The Apostle," Peter Fonda in "Ulee's Gold" and Jack Nicholson in "As Good As It Gets"), but by fresh new face Matt Damon ("Good Will Hunting.) In the final tally, Dustin was surely left in the dust.

6. Jude Law in "Cold Mountain," Best Actor nominee of 2003 — This was the year of the battle between Sean Penn in "Mystic River" and Bill Murray in "Lost In Translation," with Johnny Depp as a possible spoiler for "Pirates of the Caribbean." A subtle performance from a young actor like Law didn't have a chance — unless voters thought this was an award for the prettiest face. Jude probably didn't even receive the vote of his "Cold Mountain" co-star Nicole Kidman. She presented the Best Actor Oscar that year, and seemed quite pleased when she read Sean Penn's name. (Kidman and Penn were filming "The Interpreter" at the time.)

7. Michael Lerner in "Barton Fink,' Best Supporting Actor nominee of 1991 — He had a very small role in the arty and little-seen film, but earned a nomination due to an aggressive campaign by himself and his agent. The list that year included not only favorite Jack Palance for "City Slickers," but Tommy Lee Jones in "JFK" and Harvey Keitel and Ben Kingsley in "Bugsy." Any votes that Lerner received (if he received any) were probably from those who wanted to throw a bone to the underdog. (And, boy, was Lerner the underdog here.)

8. Jennifer Tilly in "Bullets Over Broadway," Best Supporting Actress nominee of 1994 — This was one of the worst years for women's roles in Oscar history, and Tilly managed to slide into the supporting actress race due to large support for "Bullets," which earned a surprising seven nominations. Her co-star Dianne Wiest (don't speak!) claimed all the critics awards, as well as the Golden Globe and SAG trophies — leaving little doubt as to who would win the Oscar. Tilly told E! that her dream was just to go to the Academy Awards as a nominee, so at least her wish did come true.

9. James Woods in "Ghosts of Mississippi," Best Supporting Actor nominee of 1996 — His nomination for the poorly received, overlong film was likely viewed as reward enough. (He had been nominated in the lead category ten years earlier for "Salvador.") Woods had to sit back and watch as most Oscar journalists called it a race between Edward Norton in "Primal Fear" and eventual winner Cuba Gooding, Jr. in "Jerry Maguire."

10. Meryl Streep in "Music of the Heart," Best Actress nominee of 1999 — Sorry, I really don't mean to pick on Meryl. But in a year in which she was nominated against Hilary Swank in "Boys Don't Cry" and Annette Bening in "American Beauty," I don't think she bothered voting for herself this time. Even fellow nominees Janet McTeer in "Tumbleweeds" and Julianne Moore in "The End of the Affair" could count on a few token votes here and there, but not Streep. Host Billy Crystal even joked about her being the "designated hitter" during the ceremony. But, remember, it's been a long time since Meryl has hit a home run.


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Comments

Julia Roberts could count on more votes than Meryl ???! Julia Roberts doesn't even deserve to be mentioned in the same paragraph as Meryl Streep.

You guys leave Ann-Margret alone!!!

Streep deserved both nominations in 1990 and 1999. The latter - she had to underwent trainings for violin (a la Hunter for THE PIANO), and successfully convinced all of us movie buff that she is a right on player!

I agree on Jude Law, not only a filler, the most undeserved one too.

I was amused to see someone named Ann-Margret, as I believed the same thing, too.

I freaking LOVED Jennifer Tilly in Bullets Over Broadway and I would have voted for her if not for her co star's Dianne Wiest's legandary fantastic performance.

And while the 1994 Lead Actress was one of the weakest in years...I think the supporting actress category that year was made up of very worthy nominees.

Am among the pro-Streep-in-"Postcards" crowd. She is marvelous in that film, carries it in fact, and wholly deserved her nomination. And Shirley MacLaine should have gotten a supporting nod.

Don't you have better things to write?
Why don't you write about other more important things. Writing a list like that is pure waste of time!

How about 1975? It was a year rife with space fillers....Ann Margret for Tommy? James Whitmore for Give 'Em Hell Harry?

Very interesting question, Tariq! I remember each of these contests well, and here are my thoughts:

Best Actress 1990: I think that Julia Roberts was more of a "filler" nominee than Streep. Roberts was young and in a fairly fluffy film, whereas Streep really emoted in a movie that hit close to home for many voters. Even though Roberts was Cinder-f*ckin-rella, I think she ended up in the 5th slot.

Best Actress 1992: One of the many extremely weak years for this category, but I think that Pfeiffer ranked 3rd or 4th this year. I found all of these women's films to be very slow and hard to watch, but Pfeiffer's performance stands out as she combined naivite and social activism in a very underrated way. Passion Fish was a much less heartwarming story and McDonnell was a lesser star playing a nastier role, so I think she finished lower. I'm not sure where to place Deneuve, who was a surprise nominee in a foreign film but may have received lifetime achievement votes, but I still think Pfeiffer outranked her too.

Best Supporting Actress 2002: I totally agree about Queen Latifah taking up space here. Toni Collette in About a Boy, Patricia Clarkson in Far From Heaven, and Pfeiffer in White Oleander all outacted her and her best great duet "Class" wasn't even in the final cut of Chicago. I think she's terrific, but definitely the odd woman out that year.

Best Actress 2003: I'm not so sure Morton outranked Keisha Castle-Hughes for votes. Morton had that great crying scene in the hospital and was a former nominee when she didn't say a word, so Academy members knew her range, while Castle-Hughes was brand new and an out of nowhere nominee.

Best Actor 1997: Compared to Duvall, Fonda, and Nicholson, Hoffman was definitely running behind the pack, but I'm not so sure he fell behind newbie Damon for votes.

Best Actor 2003: I agree here too. Depp, Murray, and Penn had all won major awards leading up to the Oscars and Kingsley gave an amazing performance. Law paled by comparison.

Best Supporting Actor 1991: Lerner was a complete surprise nominee and just as quickly went back to obscurity. Jones, Kingsley, and Keitel had been known quantities for at least a decade priro to these awards. Lerner definitely finished 5th, no matter how nostalgic voters may have been for Louis B. Mayer.

Best Supporting Actress 1994: Without Robin Wright among the nominees, the whole category seems like fillers to me, but Thurman had traction and Harris and Mirren were known actresses who gave good performances, so I guess Tilly probably finished 5th.

Best Supporting Actor 1996: I suspect Armin Mueller-Stahl finished 5th this year, as many voters must have been familiar with the Ghosts of Mississippi story and followed the career of James Woods to admire what it took to bring Byron De La Beckwith to life. Woods had already received a Globe nod, so he was on the radar, while Shine was always Geoffrey Rush's show with everyone else pretty much in the background.

Best Actress 1999: I totally agree here. As much as I liked Streep's performance and the film in general, it's definitely the performance most out of place with the rest and, considering her nomination came at the expense of Reese Witherspoon for Election, it seemed to much like an outomatic checkoff for Streep than annointment of a contender for that year.

With the exceptions of Ironweed, One True Thing and Music of the Heart, every nomination that Meryl has received has been deserved. Postcards was great, btw!

I'm really surprised to see Meryl Streep's name in your list not only once but twice. Meryl Streep is arguably THE best and most versatile actress in American cinema. She's a genuine "actress" and not only a "movie star". She very rarely delivers an ordinary or so-so performance; to the contrary, her performances are always intelligent and emotionally charged, yet controlled. Her range as an actress is boundless. She demonstrates a rare level of subtlety and an unmatched variety of nuances. All her movies haven’t been masterpieces or box-office hits but she, as an actress, has always delivered the goods. I think she truly deserves all the nominations she got and I'm surprised that she hasn't won an Oscar in 25 years. I personally think that comparing Reese Witherspoon to Meryl Streep is like comparing a Happy Meal at McDonald’s to a gastronomic adventure at Jean-Georges’. In short, there are few actresses who can match Streep’s professionalism, versatility and artistry.

I don't agree with this article . I think Roberta is wonderful role. It's a beautiful character.. and it's my favorite movie...

I could'nt understand why do you think like that?????

I just wanted to point out that Dustin Hoffman is as "veteran" as Jack Nicholson and Peter Fonda. The Graduate came out two years before Easy Rider, getting Hoffman on the Oscar radar that much sooner. In fact, Duvall wasn't nominated until The Godfather anyway, making Hoffman technically the nominee with the most Oscar history.

Except to complain about Tariq's including Queen Latifah in this list (not only did "Bringing Down The House" open during Oscar season, but Steve Martin also HOSTED the Oscars that year--surely THAT got her a few votes), this is too boring for me. I'd rather guess which WINNER got the fewest votes--Marisa Tomei? Mira Sorvino (basically Tilly minus Wiest)? Marcia Gay Harden?

Meryl Streep took many slots from more deserving people. In 1990 she took Mia Farrow's spot for "alice", in 1998 she took Cameron Diaz's spot (NYFCCA winner) for "There's Something About Mary" and in 1999 she took Sigourney's Weaver spot for "A Map of the World" who was much better than her. Academy just loves her too much, but she isn't that good.

A few more to include:

William Hurt in the above average but overrated "A History of Violence"

John C. Reilly for his overshadowed performance in Chicago– competent acting but absolutely nothing to get excited over. I can't imagine him receiving an honest 1st place vote. I reckon him being in several other Best Pic contenders helped him get a nom (Gangs of New York, The Hours).

Catherine Keener in Capote. Blah blah blah blah blah. There IS a difference between subtle nuanced acting and boring an audience to death with total lackluster. Consider Keener's competitor Michelle Williams as a GOOD example of subtle nuance.


Also I disagree with Jude Law on your list. He was the heart and protagonist of the film and successfully infused his character with an air of quiet confidence. Law's nomination is similar to Adrien Brody's for The Pianist the year before. He too was the quiet, young star up against older heavyweights who he managed to beat. Law deserved that nom, dude.

I won't get into this whole list, of which I think many deserved their nominations, but I do wish to defend Streep's nomination for Postcards. She was wonderful in it. Funny, touching, sad, ironic and a good singer too! I would've voted for her over the eventual winner, Bates. Now that shocked me in its day.

this post is offensive. While some (maybe one) didn't deserve a nom, the rest did.

And to say that jennifer filly got nom'd in a weak year isnot true. Lead actressmight have been weak, but not
supporting.

Sorry -- that's The Professional, not The Professon.

Portman should've earned a nod for The Profession in 1994, and I would've given Streep's place in 1999 to Witherspoon in Election.

Great list, by the way.

In 1997, I think it's more likely that Hoffman stole Pacino's spot for Donnie Brasco, than DiCaprio. Either way, nnot a filler, just surprising (Hoffman was very fun in the movie).



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