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'Nine to Five' needs work to be a 10 with Tonys

September 23, 2008 |  3:24 pm

Until the end of the studio era, Tony-winning stage musicals would be transformed into Oscar-winning films regularly ("My Fair Lady," "The Sound of Music"). Then Broadway began to borrow from Hollywood taking hit movies, adding some songs, and hoping lightning struck twice. When this worked, the Tonys came calling. In 1970, "Applause," the musicalization of "All About Eve," took the top prize, in 1982, Fellini's "8 1/2" became the Tony-winning "Nine," and in 1984 "La Cage Aux Folles" was the big winner. In the 1990s, it was the turn of "Kiss of the Spider Woman" (1993) and "The Lion King" (1998). In this decade, four of the best stage musicals began life as movies -- "The Producers" (2001), "Thoroughly Modern Millie" (2002), "Hairspray" (2003) and "Spamalot" (2005).

Nine_to_five

Now "Nine to Five," one of the top-grossing comedies of 1980, is moving from screen to stage. Dolly Parton, who made her movie debut in the original and picked up an Oscar nod for composing the catchy title tune, has written a score of new songs. Tony-winning director Joe Mantello ("Wicked") helms a host of talent, headed up by four-time Emmy winner Allison Janney ("The West Wing") in the role first played by Lily Tomlin. Taking on the roles originated by Jane Fonda and Dolly herself are "Wicked" alums Stephanie Block and Megan Hilty, respectively.

While reviews for the show, which is trying out in Los Angeles this fall before a Broadway opening next spring, were mixed they contained lots of helpful hints which if heeded could turn it into a hit. Charles McNulty of the Los Angeles Times found the whole less than the sum of talent involved: "Audiences who just want to have nostalgic fun will no doubt find this return to the scheming secretarial pool a laugh riot. But this equal-rights fairy tale, directed by Joe Mantello (the wizard behind 'Wicked') in a manner that compulsively gooses the material with bawdy innuendo, makes clear that, though we may have come a long way, baby, we've taken a few steps backward in our ability to create thoughtful musical entertainment."

As Paul Hodgins of The Orange County Register points out, "This production is more tricked out than it needs to be. Director Joe Mantello and his creative team have spent a great deal of time and energy turning a modest story about office politics into a bells-and-whistles Broadway show. Patricia Resnick's story doesn't need this much frou-frou."

And Bob Verini of Variety thought it "qualifies as what folks call 'a fun show': rarely any less, but at this point rarely more. Besides the audience's enormous affection for Parton in her mostly auspicious bow, '9 to 5' rides a swell of good will from the popular 1980 farce, though substituting a heavy hand (and considerable bad taste) for the movie's light heart. Judicious streamlining could determine whether this Gotham-bound celebration of workplace women breaks through the glass ceiling separating modest success from long-run hit."

Photo: Annie Wells / L.A. Times

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i saw the show the day after opening and i agree completely with the Times review. i disagree with some parts of the Variety review, and the OC review is just second rate writing.



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