• For the first time, the Golden Globes will be aired live across the U.S. when the ceremony is held on Sunday, Jan. 17, 2010. There will not be a three-hour delay for West Coast viewers. REUTERS

• "The summer Olympics leads the field of nominees for the 30th annual Sports Emmy Awards, reports Reuters. "NBC's coverage of the Beijing games landed 12 nominations, followed by ESPN's program 'Outside the Lines' with nine."

• When Jennifer Hudson crooned "You Pulled Me Through" at the Grammys, just months after the murder of her family members, "she was singing to God," says a close pal in EW's cover story. "God pulled her through." ENTERTAINMENT WEEKLY

• Theatre for a New Audience's revival of the Bard's "Othello" leads with the most nominations (six) for the Lucille Lortel Awards, which hail the best of off- Broadway. (Consider them a rival to the Village Voice's Obie Awards.) "Fela! A New Musical" comes in second place with five. The latter competes for best new musical against "My Vaudeville Man," "Road Show," "Saved" and "This Beautiful City." Contenders for best new play: "Animals Out of Paper," "Becky Shaw," "Ruined," "The Good Negro" and "The Sound and the Fury (April Seventh, 1928)." Winners will be announced on May 3 at the Marriott Marquis. PLAYBILL / BROADWAY WORLD

• "I really thought it was a joke!" insists the chief of a party-planning company in Georgia when he learned the he's being sued by the Oscars for using giant replicas of the Academy Award statuette for decorations at his bashes. He's not laughing now that suit has been officially filed in U.S. District Court in Atlanta. Here's a classic example of the lengths the academy will go to protect its trademark. LAW.COM

• Michael Cieply cites six potential Oscar orphans — films, that is, that seem to have high derby potential but, alas, no theatrical distributor yet: "Agora" (directed by Alejandro Amenábar), "Bright Star (Jane Campion), "Creation" (Jon Amiel), "The Young Victoria" (Jean-Marc Valle), "The Way Back" (Peter Weir), "Men Who Stare at Goats" (Grant Heslov). NEW YORK TIMES

• "Quentin Tarantino's WWII epic "Inglourious Basterds" is headed to the French Riviera," reports Variety. "The Brad Pitt starrer, set in Nazi-occupied France, has been invited to play in competition at the Cannes Film Festival. Insiders said Tarantino, a longtime favorite of the French, has accepted the offer and has told the film's backers -- the Weinstein Co. and Universal Pictures — that the pic will be ready for its world premiere during the May fest."

• Below, a featurette offering glimpses of Pixar's 10th flick — "Up," a fanciful tale of a grumpy old man (voice of Ed Asner) who ties thousands of balloons to his house so he can travel in comfort and see South America. Nifty advance look at the 3-D effects, but it's painful to suffer through all of the gushing of filmmakers, promising it's "brilliant," "breathtaking," "out of this world," "unlike anything you've ever seen." Why couldn't any of them say anything with substance? Four previous Pixar flicks won best animated feature at the Oscars: "Wall-E" (2008), "Ratatouille" (2007), "The Incredibles" (2004), "Finding Nemo" (2003).

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Angela Lansbury has returned to her first love — the theater — in triumph, earning rave reviews for her appearance as a larger-than-life medium in the revival of Noel Coward's "Blithe Spirit." Angela Lansbury has already won four Tony Awards for lead actress in a musical — "Mame" (1966), "Dear World" (1969), "Gypsy" (1975) and "Sweeney Todd" (1979). Two years ago, she contended for the first time as lead actress in a play for "Deuce" but was bested by Julie White for "The Little Dog Laughed." Were she to win for this new role in the old chestnut "Blithe Spirit,"  Lansbury would be tied with Julie Harris who has five Tony Awards, all for lead actress in a play.

The original 1941 run of "Blithe Spirit" predated the Tony Awards by six years. However for the 1987 revival, Geraldine Page contended as lead actress for playing Madame Arcati. She lost to Linda Lavin in Neil Simon's "Broadway Bound." Page never won a Tony in her three bids and did not win an Oscar till nod No. 8 in 1985 for "A Trip to Bountiful."

While Angela Lansbury lost only that last Tony race of hers, she failed to prevail in any of her three Oscar nods for supporting actress ("Gaslight," 1944; "The Picture of Dorian Gray," 1945; and "The Manchurian Candidate," 1962). And she holds the dubious distinction of having lost more Emmy races for acting than any other performer — 18 times including 12 consecutive nominations for lead actress in a drama series for "Murder, She Wrote" from 1985 to 1996.

One of Lansbury's chief rivals for the lead actress in a play Tony will be two-time Oscar winner Jane Fonda ("Klute," "Coming Home") who opened to her own great reviews for "33 Variations" last week. While Lansbury had been away from Broadway for a quarter of a century before returning in "Deuce," Fonda was last on stage in 1963. While she contended for a Tony for her 1960 Broadway debut, Fonda lost that race. However, unlike Lansbury, she does have an Emmy Award, winning on her only try for her lead performance in the 1984 telefilm "The Dollmaker." And were Fonda to win the Tony, she would become the 17th performer to have taken the triple crown of acting awards.

Among the critics who cheered the loudest for Lansbury was Ben Brantley of the New York Times who said, "It’s Madame Arcati who walks, or rather dances, away with the show, as she has always been wont to do. Those who know Ms. Lansbury only as the bland, level-headed Jessica Fletcher of television’s 'Murder, She Wrote”' may not be aware of this actress’s depth and variety of technique."

Michael Kuchwara of the AP thought, "Lansbury's performance also captures the essence of the elegant Coward fizz, champagne bubbles of witty conversation that should trip along effortlessly." And for Joe Dziemianowicz of the New York Daily News, "Watching the 83-year-old Lansbury work her magic is endless fun, as she seemingly channels past characters, from the loopy Mrs. Lovett from 'Sweeney Todd' to the cagey detective Jessica Fletcher from 'Murder, She Wrote.' You wonder what the actress will do next, and when she launches into her go-into-my-trance dance, she’s simply hilarious."

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Photos: Shubert Theatre

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"Yes, that quiet crunching sound you hear is me eating my hat," admitted New York Times Broadway theater critic Ben Brantley when he saw the new production of "Gypsy" and admitted he had been wrong to dread it.

Last summer he pooh-poohed an early staging of the show at City Center as "enjoyable but unenthralling." Now he's declaring this production at the St. James Theater to be a "wallop-packing revival" of a show that he and his Times predecessor, Frank Rich, have both called the greatest American musical ever, period.

Yes, true, it's the role Patti LuPone was born to play. As Brantley noted last summer, "If any actress of her generation seemed fated to play Momma Rose, the juggernaut of a stage mother in the musical 'Gypsy,' it was Patti LuPone, the juggernaut of a Broadway star.

"After all, Ms. LuPone became famous for her no-holds-barred portrayal of an actress of ravenous and ravening ambition in the title role of 'Evita' three decades ago, and ambition is Momma Rose’s oxygen. What’s more, Ms. LuPone has lungs and larynx of brass to rival those of Ethel Merman, the rafter-shaking star of the original 'Gypsy' in 1959, to whom Ms. LuPone has often been compared."

Sure, everybody's saying that LuPone has the Tony Award for best musical actress in the bag, but does she? It was more than 25 years ago that she won for "Evita." She's lost twice since then: "Anything Goes" (1988) and "Sweeney Todd" (2006).

Every gal who's portrayed Momma Rose on Broadway has, at least, been nominated: Ethel Merman (1960), Angela Lansbury (1975), Tyne Daly (1990) and Bernadette Peters (2003). Lansbury and Daly won. That original iron diva, the Merm, actually, egad, lost to sweet, lil Mary Martin in "The Sound of Music," which beat "Gypsy" for best musical. OK, maybe that's understandable — at least The Greatest Broadway Musical Ever lost to another stage classic, but here's the catch: "Sound of Music" tied "Fiorello!" for the win!

So is this "Gypsy" version really that much of a Tony shoo-in win for best musical revival?

The last production at the Shubert Theatre wasn't, but there was a lynch mob out for it led by New York Post theater reporter Michael Riedel who thought Bernadette Peters was miscast. She lost the best-actress trophy to Marissa Jaret Winokur ("Hairspray," winner of best musical). "Gypsy" lost best musical revival to "Nine."

There was no revival category back in 1975 when Lansbury won the Tony. That changed by 1990, and Tyne Daly's "Gypsy" won, beating a relatively weak field.

Now many Tony pundits are proclaiming that LuPone's "Gypsy" has this year's best-revival Tony in the bag, too.

Of the four eligible shows — "South Pacific," "Grease," "Sunday in the Park with George" and "Gypsy" — New York magazine's Vulture blog declares, "The only real contenders are 'Gypsy' and 'Sunday,' but it seems pretty likely that Patti and the power of 'Gypsy' will blow the well-regarded but not star-studded 'Sunday' revival out of the water." (READ MORE)

Now let me recommend to you Tony Awards Haven (CLICK HERE), a new website just launched by one of our trusty posters here, "RadioTV2," who sizes up this category thus: "At the moment, I think 'Gypsy' will sneak by 'Sunday in the Park with George' and grab the Tony . . . . 'South Pacific' is the wild card in this category because it is sure to be well received and it is the first Broadway revival of the show, but I believe that people just won't find a reason to vote for it over 'Sunday' or 'Gypsy.' "

RadioTV2, your new site is well done, bravo! But your take (and the N.Y. mag's, too) on this category is off. Why is everybody dismissing "South Pacific"? Just because it doesn't open until April 3? As already noted, this is the first revival ever! Back in 1950, it swept 10 categories at the Tonys. By comparison, 10 years later, "Gypsy" lost all eight of its races when a different musical starring Mary Martin hit Broadway like a tsunami.

If this historic revival, staged by Lincoln Center, gets rave reviews and becomes a hit — as widely expected — the fifth staging "Gypsy" on Broadway won't look too special, will it? And if Tony voters feel like they can pay off "Gypsy" with an award for LuPone, they may be strongly tempted to put their vote for best production on a show that's bigger, sprawling, more joyous and splashier, don't you think?

If "South Pacific" becomes a fierce kudos tsunami, it could even sweep aside LuPone. Remember: Mary Martin won best actress for "South Pacific." Now its current star, Kelli O'Hara, is a major force LuPone should be worried about. O'Hara is a hot new Broadway star who many Tony-watchers believe is overdue for a win, having lost in 2006 ("The Pajama Game") and 2005 ("The Light in the Piazza").

Below: LuPone singing "Everything's Coming Up Roses" and "Rose's Turn" at the City Center production of "Gypsy" last summer.

'EVERYTHING'S COMING UP ROSES"

"ROSE'S TURN"