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Category: Paul McCartney

Oprah Winfrey, Paul McCartney among Kennedy Center honorees

September 8, 2010 |  7:42 am

Kennedy Center Honors logo The Kennedy Center has announced the five performers to be feted at the upcoming 33rd edition of its honors: daytime TV talk show host Oprah Winfrey; two musical titans -- pop superstar Paul McCartney and country crooner Merle Haggard; and two Broadway talents -- composer-lyricist Jerry Herman and choreographer Bill T. Jones. McCartney accepted the honor in 2002 but when he opted out of attending the ceremony, Paul Simon was named instead.

The quintet will be feted Dec. 5 at the White House before a salute to their achievements in the performing arts at the Kennedy Center. The taped kudoscast will air on CBS on Dec. 28. The longtime holiday programming staple is a six-time Emmy Award-winner for outstanding variety special, including the last two years in a row.

The Kennedy Center Honors began in 1978, seven years after the living memorial to President Kennedy opened on the banks of the Potomac in the nation's capital. Since then, the kudos have taken on the aura of the country's highest tribute to artists.

Appropriately enough, Richard Rodgers – the first person to achieve the awards grand slam by winning all four big showbiz kudos (Oscar, Emmy, Grammy and Tony) – was among the first five artists inducted into this hall of fame. (The others were opera pioneer Marian Anderson, dancer extraordinaire Fred Astaire, choreographer George Balanchine, and pianist Arthur Rubenstein.) Since then, there have been another 163 artists honored (usually five per year but occasionally six, such as two years ago when a team was feted). Among them have been just two other grand slam champs -- Helen Hayes (1981) and Mike Nichols (2003).

Image: Kennedy Center Honors logo. Credit: Kennedy Center.

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How U2 and Paul McCartney got shut out of Oscar nominations

February 2, 2010 | 11:21 am

Paul McCartney U2 Oscars Nominations Academy Awards 13579 While there were 63 songs contending for a place at this year's Oscars, only five made the final cut. Last year it was Oscar champ Bruce Springsteen who was snubbed for his Golden Globe-winning title track to "The Wrestler." This year U2 and Paul McCartney got slapped down by the music branch of the academy for tunes written specifically for films. U2 wrote and performed "Winter" for "Brothers," while McCartney did the same for "(I Want to) Come Home" from "Everybody’s Fine."

Both of these musical powerhouses have a connection to the Academy Awards. U2 lost a best song bid at the 2002 Oscars for "The Hands That Built America" from "Gangs of New York" to Eminem's "Lose Yourself" from "8 Mile."

This year, the Irish rockers and Sir Paul both lost the best song race at the Golden Globes to "The Weary Kind" from "Crazy Heart." That track — written by Ryan Bingham and T Bone Burnett — is in contention at the Oscars, as are two tunes from "The Princess and the Frog" by Oscar champ Randy Newman, "Take It All" from "Nine" by two-time Tony winner Maury Yeston and "Loin de Paname" from "Paris 36" by Reinhardt Wagner and Frank Thomas.

Newman, who was not a Globe nominee this year, won his only Oscar out of 17 nominations in 2001 for the song "If I Didn't Have You" from "Monsters, Inc." Among those he edged out was Paul McCartney, who was nominated for the title track of "Vanilla Sky." In 1973, McCartney and his wife Linda had landed in the best song race for the theme to "Live and Let Die" — they lost to "The Way We Were." McCartney had shared in an Oscar win with the rest of the Beatles in 1970 for their original song score to "Let It Be."

With such musical pedigrees, how did U2 and McCartney not make it into the final five this year? Oscars' Rule 16 sets out the criteria for winnowing the list of eligible songs down to the final nominees. There was no need for the executive committee of the music branch to recommend that there be only three nominees, as the number of songs far exceeded the threshold of 25 that might have triggered such action.

Unlike other branches — such as acting, which uses a preferential ballot — the music makers screen clips of all the eligible entries and then score them on a sliding scale from 6 to 10, with half-point increments in between. If a member has a song in contention, they are ineligible to vote.

As per the rulebook, "If no song receives an average score of 8.25 or more, there will be no nominees in the category. If only one song achieves that score, it and the song receiving the next highest score shall be the two nominees. If two or more songs (up to five) achieve that score, they shall be the nominees."

With five nominees this year, we know they all scored at least 8.25. Perhaps the tunes by U2 and McCartney broke that barrier as well but fell short of the even higher scores registered by the nominees.


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Photo: "(I Want to) Come Home" download artwork. Credit: Hollywood Records

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